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TIMELESS (2025-02-08)- 社团:동방! 재즈재즈 대작전!
various jazz styles
🇰🇷
While I was making the wiki page for this album I checked the translation of the originals multiple times because I was heavily doubting that I was identifying them correctly (I was correct for everything except track 1, which I couldn't figure out from the preview). I love jazz arrangements that really expand on the originals like this.
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Touhou Guit. Mix (2025-02-08)- 社团:Mirai illusion
future rock
🇰🇷
Very Whitefists-esque in its combination of metal and 2010s EDM, and the EDM parts are pretty exciting too.
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BLACK PARSE (2025-05-05)- 社团:UNKNOWN BEATS
trap
🇯🇵
I really do need to listen to this circle more. Even though I'm hopelessly unequipped to talk about modern hip hop6 these guys are basically pioneering an actual wave of Touhou hip hop, moving it beyond Tamaonsen's long-dominant brand of fun but corny EDM pop rap. I'd rather people listen to them than a certain posse that launders watered down underground sounds (I can't tell the difference but people who's more knowledgeable about underground rap has claimed that) through Cool&Create tier fandombaiting meme garbage. Anyways go read what I wrote about FAKE KILL in the 2024 list.
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東方 REC at DNA (2025-03-23)- 社团:紅月蝶
trap
🇯🇵
Another circle from this hip hop wave, and the first track with its UK drill and rage-influenced instrumental certainly makes an impression.
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Never Die (2025-05-05)- 社团:ハコビバ
pop rap
🇯🇵
Going from the preview, this circle seems to be partly from Tamaonsen's lineage of EDM pop rap and partly from the lineage of hip hop circles influenced by Unknown Beats (seriously, I was not expecting the preview to start with Jersey club beats).
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WE ONLY LIVE TWICE (2025-05-05)- 社团:ついったー東方部
post-bop
🇯🇵
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Gensokyo Party Vol. 6 Border in Stasis (2025-05-05)- 社团:KodamaSounds
various genres, mostly EDM
🌐
I feel like KodamaSounds really doesn't get enough credit from the English-speaking doujin music crowd. Outside of some minor quibbles, I've heard nothing but good things about them from a few artists I've talked to. The circle's focus on a variety in genres and them actually releasing at M3 with Japanese translations also distinguishes them from the vast majority of collaborative doujin circles based outside of Japan, which tend to specialize in EDM and are either effectively a netlabel or only releases at local events of their doujin culture analogue. Their newly launched (as of 2025) sublabel/sibling circle Counterfest Records, with its emphasis on sampling and bootleg culture, brings to mind the free-spiritedness of 90s/00s doujin music culture represented by nerdcore techno and video game musicians at major companies forming their own music circles. In fact, you could probably draw comparisons between Counterfest and Allkore, a US-based circle/label started in 2009 that aimed to spread nerdcore techno around the world, and released compilations at Japanese events featuring artists both from and outside Japan.
The fact that KodamaSounds releases at M3 and have Japanese translations is enough to convince cynics who think English-speaking circles are run by ignorant osu players. Even beyond that, the circle is run by people passionate and knowledgeable about doujin music and its culture. Comparable to Allkore's founder DJ SpeedBeatz, a nerdcore techno historian who wrote an encyclopedia covering its artists, KodamaSounds' founder Fivda is a long-time contributor at VGMdb and has added a vast amount of doujin music info there. I can tell you from experience that any music database contributors working at that level requires an intricate level of knowledge about the subject matter that you can only get through research and experience.
okay maybe this is what I need to actually listen to the circle's Touhou albums
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TOUHOU ACID SOUNDS 001 (2025-05-05)- 社团:Yayoi Softworks
bass music
🇯🇵
I'm a big fan of G Jones and EPROM's Acid Disk7 series, which puts the popular 90s acid bass sound in a late 2010s bass music context, resulting in some really gnarly headbanging tunes. And guess what this EP references on its cover?
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The Ascension (2025-04-27)- 社团:ジェリコの法則
EDM
🇯🇵
Despite liking Jerico's stuff a lot when I first got into Touhou music, I haven't listened to them in a really long time. Putting this here as a reminder to do that.
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Touhou Colours: Emerald (2025-05-03)- 社团:Chroma Sounds
colour bass
🇨🇳
Gonna be real here, the inclusion of trance this time feels a bit like an regression to the mean, like the circle wasn't confident that Touhou music fans would want to check out an comp that's all colour bass and decided to add some trance to make it closer to a typical Touhou EDM album. Still, there's some intriguing genre combos here, like the 3 tracks that try to combine speedcore and colour bass. Plus, the announcement says they've got someone from Rushdown (which is THE colour bass label!) on the album, which is an amazing pull.
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Wakaremichi (2025-05-05)- 社团:Alice At Last
various genres
🇺🇸
I came across their music on Bandcamp while going thru the Touhou tag and finding Eiyasyou Synthetic, a unique percussive take on synthwave. Fast forward a few years and they actually have an album out! There's some nice fantasy music going on and some industrial stuff, as well as other styles.
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Dark Magic Tragedy (2025-06-14)- 社团:Antares Enigma
synthwave, darksynth
🌐
I tend to dislike most synthwave outside of the darksynth subgenre, but I'll still consider checking the genre out if it's related to artists I like. For reference, my favorite synthwave projects are Astrophysics8 and Boucle Infinie9, both of which are much better known for their non-synthwave music (Astrophysics being one of the notable artists from the dreambreak/2020s wave of internet-based breaks scene, and Boucle Infinie being the side project of EDM-djent pioneer The Algorithm). In terms of labels, I've found Telefuture's output to be consistently interesting, perhaps helped by it being founded by chiptune artists who are interested in pushing the boundaries of the genre rather than indulging in 80s nostalgia. I also love 幻想郷深夜ドライブ Vol.1, and Antares Enigma seems to be The circle that's trying to push Touhou synthwave to the next level, so I figured I'd give them a try.
All of this is to say, this is an attempt to get out of my comfort zone a bit, and I'm going into it aware that I might end up not liking it. Still, about half of the album is darksynth, and it has a ZUNstyle remix of Carpenter Brut, so I'm probably gonna have a good time.
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Neon Realms LP (2025-05-24)- 社团:Alter Synth, Hakurei Haven
EDM grabbag
🇮🇩
I'll probably miss out a lot without the accompanying zine (which the Bandcamp says is in Indonesian) but getting to listen to EDM bangers is still nice. The zine not only showcases Touhous in futuristic streetwear designs that the album is themed around, but it also has interviews relating to the Indonesian Touhou fandom. From what I gather from the announcement those interviews are with the huge Old Adam Bar community, as well as NATSUKI RECORDS, an early circle in the country's scene that released an album as far back as Comic Frontier 2. Even if EDM is not your thing, this is at least intersting from a history perspective.
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Gensokyo Piano (2025-08-17)- 社团:氷結幻想
piano, jazz
🇨🇳
Their piano albums have been consistently fantastic and this one sounds like it'll be more of that. Plus, they started again after a 6 year hiatus!
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new melancholy etiquette (2025-05-05)- 社团:magic red kids
shoegaze, dream pop
🇯🇵
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華麗烏羽~Resplendent Raven Plumage (2025-08-09)- 社团:蜂幽音声
gothic EDM/hardcore
🇨🇳
by gothic I mean "ornate harpsichords and choirs" gothic rather than the goth rock or futurepop type of gothic. was gonna call it Castlevania gothic but Castlevania music is actually more varied than that. anyways this is basically a modern doujin J-core album with gothic dressing and as someone who likes Camellia - GHOST and other similar tracks, the preview sounds pretty neat and is full of ear candy production so I'm probably gonna like it.
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Side:0 (2025-10-19)- 社团:Arrule
dub techno, ambient
🇯🇵
pinging all Deepdream of Doppelganger fans for this one
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Coup de Touhou (2025-10-12)- 社团:HIDDEN TREASURE
alternative rock
🇯🇵
so, fun fact: I've encountered a number of fanworks that are tributes to the band syrup16g (you can search the band's name in the wiki) which is quite influential to underground Japanese rock! While my experience with them is only limited to listening to Hell-See and Delayedead this year, I figure this was interesting enough to check out.
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echoes(少年ヴィヴィッド) (2025-10-12)- 社团:少年ヴィヴィッド
indie rock, post-hardcore
🇯🇵
another "I like the circle's other albums and should actually keep up with them" entry
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Here to Hear(t) (2025-10-12)- 社团:ノーストリリア
shoegaze
🇯🇵
concept album too! there's some variety in the genres probably because of that, there's one track that's outright dancey pop rock
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虚数十星 ~ Aversante Magno Arbor Sapientae (2025-05-05)- 社团:最も憂鬱な僕
ZUNstyle
🇯🇵
mfw Dolls in Pseudo Paradise 2 dropped
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繪送誄歌 ~ Imagined Maidens between Frame and Score (2025-08-17)- 社团:stella Maris
ZUNstyle
🇯🇵
mfw Dolls in Pseudo Paradise 3 dropped
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FAST TRAVEL Pt.2 (2025-12-31)- 社团:dat file records
hardcore EDM grabbag
🇯🇵
place your bets on if I'm gonna be disappointed by the "hyperflip" tracks this time! will 餅屋 actually do digicore or is it bait for people who consider themselves more tapped in than your regular Touhou music listener? even if they turn out to be duds, there's still 5 other tracks that I like from the preview, so hopefully the album does a little better than the first Fast Travel.
regardless of how accurate the hyperflip and dariacore tags are, you owe it to yourselves to at least listen to notable Japanese artists that are making these styles, like the ばくわら小学校 collective for hyperflip and lilbesh ramko for digicore.
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